Woolf Larry. The singing Turk: Ottoman power and operatic emotions on the European stage from the siege of Vienna to the age of Napoleon

Stanford University Press, 2016. — 505p.The Captive Sultan: Operatic Transfigurations of the Ottoman Menace after the Siege of Vienna.
The Generous Turk: Captive Christians and Operatic Comedy in Paris.
The Triumphant Sultana: Suleiman and His Operatic Harem.
The Turkish Subjects of Gluck and Haydn: Comic Opera in War and Peace.
Osmin in Vienna: Mozart’s Abduction and the Centennial of the Ottoman Siege.
“To honor the Emperor”: Pasha Selim and Emperor Joseph in the Age of Enlightened Absolutism.
The Ottoman Adventures of Rossini and Napoleon: Kaimacacchi and Missipipi at La Scala.
Pappataci and Kaimakan: Reflections in a Mediterranean Mirror.
An Ottoman Prince in the Romantic Imagination: The Libertine Adventures of Rossini’s Turkish Traveler.
Maometto in Naples and Venice: The Operatic Charisma of the Conqueror.
Rossini’s Siege of Paris: Ottoman Subjects in the French Restoration.
The Decline and Disappearance of the Singing Turk: Ottoman.
Reform, the Eastern Question, and the European Operatic Repertory.Notes.