London: J.B. Nichols and Son, 1845. — 345 p.
In the original arrangement of the Dramatic Writings of Shakespeare there are ten Plays, which are designated neither Comedies nor Tragedies, but Histories ; a species of dramatic composition which few poets have attempted, and in which very few except Shakespeare can be said to have had much success. It seems as if in the Elizabethan age there was a complete series of English Histories, beginning with the Conquest and continued to the very reign in which they were acted; by means of which there was what may be called popular instruction in English History given to the multitude in a manner the most attractive, while, at least when in the hands of Shakespeare, there was a grace and spirit given to veritable characters and events, and in the main no shocking departures from the actual truth of history, which made them an acceptable offering to the more cultivated and better informed parts of the community. The play of King Henry the Eighth is hardly to be accounted part of the series. It was produced, as I mean to shew, on a special occasion and for a special purpose. King John also seems of a somewhat different cast from those which are obviously in series and, with hardly any break, consecutive. Without going into the question of the share which other poets of the time had in all or any of the historical plays classed as Shakespeare's, we have the history of nearly a century in these plays, commencing with the reign of King Richard the Second and ending with the Battle of Bosworth, the conclusion of what in the Poet's age would be accounted the heroic period of English history.