Studia Rossica Posnaniensia 2022 Vol XLVII №01

Poznań: Uniwersytet im. Adama Mickiewicza w Poznaniu; Wydawnictwo Naukowe UAM, 2022. — 260 p. — ISSN (Online) 2720-703X. DOI: 10.14746/strpLiterary StudiesNicolas Dreyer, Vladimir Tuchkov’s intertextual transgression: Folklore, parody, and social criticism
Agnieszka Juchniewicz, The comical and humorous nature of utterances in the plays by Oleg Bogayev
Natalia Maliutina, Humorous tone as a marker of the author’s view in Nadezhda Ptushkina’s comedies
Mirosława Michalska-Suchanek, Anna Fein’s prose. A Russian-Israeli version of Jewish humour
Sergey Troitskiy, “Russian” humour in the context of the directions of humorous communication: The causes of Gelotophobia as a social phenomenon
Ievgeniia Voloshchuk, “…reading apace with the soul’s beautiful impulses”: Outsiders’ laughter and the Russian twentieth century in Oleg Yuryev’s “Unknown Letters”
Kristina Vorontsova, The absurdity of reality in the satirical play “To see Salisbury” by Viktor ShenderovichLinguistic StudiesDaria Khrushcheva, Caricature and propaganda: The image of today’s Ukraine in pro-Russian mass media (2014–2018)
Jana Kitzlerová, Vsevolod Nekrasov’s lifephrenia
Maria Mocarz-Kleindienst, On the intersemiotic transposition of comedic devices in audio description in Soviet film comedies
Żanna Sładkiewicz, Intersemiotic and pragmasemantic analysis of the “Palace for Putin” meme cycle
Marcin Trendowicz, The use of the character of Stierlitz in Russian internet memes
Anna Weigl, Chernomyrdinki and techniques of the comic by Mikhail Zoshchenko
Gabriela Wilk, The “second” life of Soviet comedies in internet memes during the pandemic