Grape Wolfgang. The Bayeux Tapestry: Monument to a Norman Triumph

Prestel, 1994. — 188 p.The Bayeux Tapestry, the world-famous embroidered work over 73 meters long on display in the northern French town, depicts the Norman conquest o f England in the year 1066. The tapestry is arguably the most important, but certainly one of the most enigmatic works of art of the early Middle Ages, providing the viewer with an unparalleled insight into this dramatic historical event. The exquisite tapestry depicts the protagonists, Duke William of Normandy (William the Conqueror), and his half-brother, Bishop Odo of Bayeux, sailing across the English Channel and confronting the Anglo-Saxon king, Harold of Wessex, at the Battle of Hastings.
The tapestry is now seen as much more of a milestone in Western art than had previously been thought. It demonstrates exceptional artistic experimentation in its depiction of everyday reality, nature, and contemporary issues. The narrative cycle impressively presents the early Normans’ view of the world, their notion of their historical role, and their sense of national pride.
The dominant view up to now has been that the tapestry was produced in an Anglo-Saxon workship in post-conquest England. Backed up by meticulous research on all aspects of the Bayeux Tapestry, the author has succeeded in revising this theory. With a vividness approaching that of a historical novel, he brilliantly argues the case that the tapestry originated in Bayeux itself.